Il Trio Reinecke, composto da Bernardo Bertamini (clarinetto), Elena Lorenzoni (viola) e Samuele Masera (pianoforte) dedica il suo album di debutto alla musica di Carl Reinecke e Johan Amberg. Ogni volta che riusciamo a riscoprire della musica dal passato è una vera gioia! E se Reinecke è un compositore già noto, non possiamo dire lo stesso di Johan Amberg la cui musica è un sorprendente mix della tradizione musicale dell’Europa settentrionale con un grande pathos romantico e degli accenti popolari. I Fantasiestücke presentati in questo disco sono dedicati alla memoria di Robert Schumann e le tracce musicali e tematiche provenienti dal magico mondo di Schumann sono evidenti anche già leggendo i titoli dei diversi movimenti.
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The Reinecke Trio composed by Bernardo Bertamini (Clarinet), Elena Lorenzoni (Viola) and Samuele Masera (Piano) dedicate its debut Album to the music of Reinecke and Amberg. Everytime that we can discover a “new” music coming from the past is a real joy! If Reinecke is a well known composer we can not say the same of Johan Amberg, surprisingly original in his compositions mixing the music of the north european music with a bit of popular roots and a big romantic mood. The Fantasiestücke presented in this recording is dedicated to the memory of Robert Schumann and the quotes and relationship with the fantastic world of Schumann are evident already in the title of the movements.

You can also find it on Spotify and Amazon Music! 

Listen to the presentation of Nordic Sunrise on Primo Movimento for Rai Radio 3 at this link

https://www.raiplaysound.it/audio/2025/06/Primo-movimento-del-06062025-7665c2f3-2c52-410f-aa41-4c1940e2810c.html 

A wonderful review of our CD Nordic Sunrise in the German magazine Fono Forum! 

“From the very first moment, the listener is drawn in by this CD: the technical choices clearly aim to enhance the natural quality of the sound, making the intimacy of the recording venue a central element of the production.

The three chamber music works by Carl Reinecke are not presented with the kind of flawless refinement often associated with established performers, but rather with a freshness and honesty that win the listener over – qualities that make these young musicians, all still in training, particularly compelling.

They approach the challenging Clarinet Trio with courage, embracing considerable interpretative risks from which they emerge largely unscathed.

Instead of the better-known Introduction and Allegro appassionato, Op. 256, for clarinet and piano, the CD closes with a true gem: four intense Fantasiestücke for clarinet trio by the Danish composer Johan Amberg, written in 1910 – the very year of Reinecke’s death.”